“Stunning… richly complex and unpredictable.” —Historical Novel Review
Marged Brice is 134 years old. She’d be ready to go, if it weren’t for Perdita . . .
The Georgian Bay lighthouse’s single eye keeps watch over storm and calm, and Marged grew up in its shadow, learning the language of the wind and the trees. There’s blustery beauty there, where sea and sky incite each other to mischief… or worse…
Garth Hellyer of the Longevity Project doesn’t believe Marged was a girl coming of age in the 1890s, but reading her diaries in the same wild and unpredictable location where she wrote them might be enough to cast doubt on his common sense.
Everyone knows about death. It’s life that’s much more mysterious…
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A B O U T
Hilary Scharper, who lives in Toronto, spent a decade as a lighthouse keeper on the Bruce Peninsula with her husband. She also is the author of a story collection, Dream Dresses, and God and Caesar at the Rio Grande (University of Minnesota Press) which won the Choice Outstanding Academic Book Award. She received her Ph.D. from Yale and is currently Associate Professor of Cultural Anthropology at the University of Toronto.
E X C E R P T
MARGED BRICE
Cape Prius—1897
July 3
Seven hours passed, and the waves were—Mr. Thompson said they were fifteen feet or more in front of the Lodge. The rain had not ceased, but the sky had turned an evil gray, and we heard thunder far off in the distance….
“The storm is moving fast,” said Mr. Thompson, and he shook his head glumly.
I began to pray fervently. It was but three o’clock in the afternoon, but the entire sky had turned a livid gray, and it seemed as if night had dropped upon us like a curtain falling. Now we could see lightning blaze across the horizon….
The rain came down in sheets, and the waves took on an even more ominous and angry aspect. My heart sank as I thought of the boats in that water.
Then—“There,” shouted Mr. Thompson, gesturing toward the eastern skyline.
And appearing suddenly from around the Point, we could see the outline of a large boat. Its foremast was rolling horribly—up and down, back and forth—and we could see, as it neared, that the first jib sheet was ripped to pieces. The mainsail was shredding rapidly in the wind, and the waves were pushing it toward the shore, where it would surely be smashed into pieces against the rocks. We saw the men lowering the lifeboats and then push off, desperately making for shore.
“Allan,” I cried. He had run out into the storm without warning toward the boats, and I leaped out after him.
G I V E A W AY
3 signed copies of Perdita by Hilary Scharper (open December 15, 2014 – February 7, 2015)